Chippewa River Nocturne Below Wanigan

Chippewa River Nocturne – Below Wanigan Print

Price range: $200.00 through $2,000.00

These signed and numbered limited edition fine art reproductions are printed on 100% cotton Moab Entrada cold press fine art paper or on archival 19 mil Lyve stretched canvas.

Paper or Canvas?

Paper Print — Artwork printed onto paper. It’s flat and needs to be framed (with a mat and glass) to be displayed.

Stretched Canvas Print — Artwork printed onto canvas fabric, which is then wrapped and pulled tightly around a wooden frame. It’s three-dimensional, with the image continuing around the edges. It can hang on a wall as-is — no frame required.

Cost Difference — Paper prints are less expensive upfront, but framing costs more than a canvas print due to the addition of a mat and glass. Stretched canvas prints cost more due to the materials and labor involved. However, if you choose to frame a canvas print, the cost is less than framing a paper print because a mat and glass are not needed to protect the canvas.

Neither is inherently “better” — it really comes down to your décor style, budget, and how you want the piece to feel in the space.

For an additional charge, Bob will add an original pencil drawing of a fly or gamebird feather to the bottom of your paper print. Describe the fly that you would like Bob to draw below.

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Details

Signed and Numbered Limited Edition Fine Art Print

  • Chippewa River Nocturne – Below Wanigan is available as a paper reproduction or a stretched canvas reproduction.
  • All of our fine art prints are signed and numbered by Bob and are reproduced on archival material.
  • Stretched canvas reproductions are created on demand, so require an extra week for shipping.

This painting is the third iteration of what I consider to be a perfect memory; two of my favorite men, Dave Norling and Tom Waters, fishing a northern river from my boat, near the end of the day.

I rarely render a painting that doesn’t include water in the composition, and I love to paint the reflective light of an evening sky in it. I’ve also had a long and deep fascination with the moon, and have been drawn to painting nocturnes that include a low, full moon rising. So, it seemed only natural for me to include all of these elements in this painting.

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